| Back & Sides
[Click to enlarge an example] |
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Standard Tonewoods |
Indian Rosewood dalbergia latifolia
A much sought after tonewood; some actually prefer
it to Brazilian! Has a warmth and depth to its bottom end, but with a balance across to the ringing high end. Makes
great guitars, of which there are many !! |
African Utile Mahogany entandrophragma utile
Is from the same family of Mahogany-like woods
as Sapele. It is an extremely good alternative to Mahogany,
having very similar tonal characteristics, which is why I use it
on my standard range of guitars . |
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Custom Tonewoods |
Honduran Mahogany swietenia macropyllia
Very sought after for its even texture and grain, Honduran
Mahogany is considered by some, to be the best of the
Mahoganies (after Brazilian - which is now 'controlled' see below) |
Brazilian Mahogany swietenia macrphyllia
Very sought after - with a tonal curve like someone looking down
in the mouth (the opposite of Rosewood). I only have a
limited supply of this now 'controlled' wood |
African Mahogany khaya ivorensis
Tonally, very similar to
the other mahoganies. As you can see, the African Mahogany I have in stock has
quite striking figuring and will make wonderful guitars! |
Walnut juglans nigra (Black)/regia (French)/hindsii (Claro)
Walnut is between Mahogany and Rosewood
in tone and timbre. Strong
fundamentals plus some of the bottom end of a Rosewood,
to the tone you would expect from Mahogany. Great guitars
come from Walnut b&s and Cedar top. |
Cocobolo dalbergia retusa
Much sought after by builders as the “new” Brazilian RWD.
Very dense and heavy, it gives a robust, yet sweet, sound,
with clarity throughout the range. Visually stunning, it
finishes beautifully. RECOMMENDED! |
Figured Jatoba hymenaea courbaril
Between Maple and Rosewood in its hardness &
density, as it is tonally. Jatoba is
very similar to Ovangkol in its appearance, but generally
has a more pronounced figure. Fabulous looking guitars with
this one! |
Maple (aka Sycamore) acer pseudoplatanus
Sharp mids and high ends give Maple a great rhythm/ flatpick sound.
Typically Maple guitars lack bottom end, but this is not
necessarily the case. ( I only know people are surprised
at the sound of my Maple guitars!) |
Padauk pterocarpus soyauxii(African)
Falls between Rosewood and Mahogany. I use Padauk
for my Baritone guitars, and it performs brilliantly in that
lower register, which gives an idea of what it can do ! |
Tasmanian Blackwood acacia melanoxylon
Really good alternative to Rosewood, with a punchy bottom
end, but the mid and high ends of a Mahogany, giving
fabulous balance. I recommend you try one of these guitars,
they are fabulous ! |
Koa acacia koa
Koa, like Tasmanian Blackwood, is an Acacia, and has
similar characteristics. Its bottom end is (just) slightly less pronounced, with a bit more sparkle at
the high end. Famed for its use in Weissenborn
guitars. |
Ovangkol guibourtia ehei
Becoming popular with some big makers, it's a visually stunning guitar wood,
with a tonal
range between Rosewoods and Acacias, plus great
note separation. This makes for a great finger-style guitar.
RECOMMENDED. |
Black Limba terminalia superba
The same weight and texture as Mahogany, for which it is an
excellent substitute, but giving a truly beautiful
guitar. Looks and sounds great, particularly with a Cedar
top. (Well that’s my opinion !) |
Blackhearted Sassafras atherosperma moschatum
Tonally in the range of the Mahoganies and
Walnuts, with characteristics of both. Good balance
across the range, with a slightly pronounced high end. The
figuring is caused by a fungus, (fortunately)
not effecting the wood's structure. |
Imbuya (aka Imbuia) phoebe
parosa
A hard, dense wood producing a direct, bright tone, while
still delivering plenty of bass response. A good alternative
to Indian Rosewood. Highly figured Imbuya makes a really
beautiful guitar. |
African Satinwood distemonanthus tenthamianus
Also known as Movinghui, it's hard, very durable &
gives a tone and sound similar to Maple but with some of
the punch delivered by Acacias (Tasmanian Blackwood & Koa).
A guitar wood not often seen, so stands out in the
crowd ! |
| [Click to enlarge an example]
Tops |
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Standard Tonewoods |
European Spruce picea abies
Considered to be the premier tonewood
for tops. Strong fundamentals and
complex overtones, creating great timbre & 'colour'. Takes time to open up
fully, but it’s great to grow along with it! Works
fantastically with almost all b&s woods. |
Sitka Spruce picea sitchensis
Structurally stronger than European,
Sitka is punchier in its
sound. Lower overtones makes it less complex, but more
direct in its delivery. I have found, however, that it
works brilliantly with Maple b&s. |
Western Red Cedar thuja plicata
Once used primarily for classical guitars,
now
popular for steel strings. Works well with Mahogany
& produces great results with Walnut b&s . Dark overtones
make it good for Celtic and Folk styles. Its sound is
“there” from day one ! |
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Custom Tonewoods |
Douglas Fir pseudotsuga menziessii
A new wood for tops, Douglas Fir is much like Sitka in its
structure and strength characteristics . I look
forward to using this wood & have high hopes of some fabulous guitars using this top
wood . WATCH THIS SPACE!! |
Bearclaw Spruce picea
“Bearclaw” is the name given to the
figuring sometimes found in Spruce, as
it looks like a bear has “clawed” it.
Usually a sign of the boards being cut
fully on the quarter, and therefore a
sign of quality. |
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Other 'tops' that are available include:
'All Walnut' -
i.e. Walnut top with Walnut back & sides
.'All Mahogany' - i.e. Mahogany top, back & sides.
Contact me for details. |
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